CPM 22 - History

History

With influences from the Ramones, the Misfits, Buzzcocks, Pennywise, Green Day, and other old school punk and hardcore legends, CPM 22 recorded their first demo tape in 1998.

Their popularity in the Brazilian underground scene led CPM 22 to record the independent album A Alguns Quilômetros de Lugar Algum (A Few Kilometers From Nowhere). Two years later they were included in the Brazilian MTV video-music award in the demo clip category with "Anteontem" (The Day Before Yesterday).

In 2001, they signed with Abril Music and released their first mainstream album called CPM 22 with many hits, including "Regina, Let's Go", "Tarde de Outubro" (October Afternoon) and "O Mundo Dá Voltas" (The World Turns), playing on Brazilian radios.

At the end of 2002, they released Chegou a Hora de Recomeçar (Now's The Time To Start Over). CPM 22 reached the top of their popularity in Brazil with songs including "Desconfio" (I Suspect), "Ontem" (Yesterday), "Não Sei Viver Sem Ter Você" (I Don't Know How to Live Without You), "Dias Atrás" (Days Ago), "Atordoado" (Stunned).

They are often seen on Brazilian television shows, remarkable for a band which recently played in the São Paulo underground. Such popularity led to complaints from old-time fans that the band had "sold out", forgetting its roots by creating songs to be played on top 40 radios and populist Sunday TV shows like Domingão do Faustão and Domingo Legal.

Read more about this topic:  CPM 22

Famous quotes containing the word history:

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    What you don’t understand is that it is possible to be an atheist, it is possible not to know if God exists or why He should, and yet to believe that man does not live in a state of nature but in history, and that history as we know it now began with Christ, it was founded by Him on the Gospels.
    Boris Pasternak (1890–1960)

    They are a sort of post-house,where the Fates
    Change horses, making history change its tune,
    Then spur away o’er empires and o’er states,
    Leaving at last not much besides chronology,
    Excepting the post-obits of theology.
    George Gordon Noel Byron (1788–1824)