Cost Curve - Relationship Between Short Run and Long Run Cost Curves

Relationship Between Short Run and Long Run Cost Curves

Basic: For each quantity of output there is one cost minimizing level of capital and a unique short run average cost curve associated with producing the given quantity.

  • Each STC curve can be tangent to the LRTC curve at only one point. The STC curve cannot cross (intersect) the LRTC curve. The STC curve can lie wholly “above” the LRTC curve with no tangency point.
  • One STC curve is tangent to LRTC at the long-run cost minimizing level of production. At the point of tangency LRTC = STC. At all other levels of production STC will exceed LRTC.
  • Average cost functions are the total cost function divided by the level of output. Therefore the SATC curveis also tangent to the LRATC curve at the cost-minimizing level of output. At the point of tangency LRATC = SATC. At all other levels of production SATC > LRATC To the left of the point of tangency the firm is using too much capital and fixed costs are too high. To the right of the point of tangency the firm is using too little capital and diminishing returns to labor are causing costs to increase.
  • The slope of the total cost curves equals marginal cost. Therefore when STC is tangent to LTC, SMC = LRMC.
  • At the long run cost minimizing level of output LRTC = STC; LRATC = SATC and LRMC = SMC, .
  • The long run cost minimizing level of output may be different from minimum SATC, .
  • With fixed unit costs of inputs, if the production function has constant returns to scale, then at the minimal level of the SATC curve we have SATC = LRATC = SMC = LRMC.
  • With fixed unit costs of inputs, if the production function has increasing returns to scale, the minimum of the SATC curve is to the right of the point of tangency between the LRAC and the SATC curves. Where LRTC = STC, LRATC = SATC and LRMC = SMC.
  • With fixed unit costs of inputs and decreasing returns the minimum of the SATC curve is to the left of the point of tangency between LRAC and SATC. Where LRTC = STC, LRATC = SATC and LRMC = SMC.
  • With fixed unit input costs, a firm that is experiencing increasing (decreasing) returns to scale and is producing at its minimum SAC can always reduce average cost in the long run by expanding (reducing) the use of the fixed input.
  • LRATC will always equal to or be less than SATC.
  • If production process is exhibiting constant returns to scale then minimum SRAC equals minimum long run average cost. The LRAC and SRAC intersect at their common minimum values. Thus under constant returns to scale SRMC = LRMC = LRAC = SRAC .
  • If the production process is experiencing decreasing or increasing, minimum short run average cost does not equal minimum long run average cost. If increasing returns to scale exist long run minimum will occur at a lower level of output than SRAC. This is because there are economies of scale that have not been exploited so in the long run a firm could always produce a quantity at a price lower than minimum short run aveage cost simply by using a larger plant.
  • With decreasing returns, minimum SRAC occurs at a lower production level than minimum LRAC because a firm could reduce average costs by simply decreasing the size or its operations.
  • The minimum of a SRAC occurs when the slope is zero. Thus the points of tangency between the U-shaped LRAC curve and the minimum of the SRAC curve would coincide only with that portion of the LRAC curve exhibiting constant economies of scale. For increasing returns to scale the point of tangency between the LRAC and the SRAc would have to occur at a level of output below level associated with the minimum of the SRAC curve.

These statements assume that the firm is using the optimal level of capital for the quantity produced. If not, then the SRAC curve would lie "wholly above" the LRAC and would not be tangent at any point.

Read more about this topic:  Cost Curve

Famous quotes containing the words relationship between, relationship, short, run, long, cost and/or curves:

    There is a relationship between cartooning and people like Miró and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
    Roy Lichtenstein (b. 1923)

    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
    Rebecca West (1892–1983)

    Chess is ruthless: you’ve got to be prepared to kill people.
    —Nigel Short (b. 1965)

    they filled his belly
    with large stones and sewed him up.
    He was as heavy as a cemetery
    and when he woke up and tried to run off
    he fell over dead. Killed by his own weight.
    Many a deception ends on such a note.
    Anne Sexton (1928–1974)

    Early education can only promise to help make the third and fourth and fifth years of life good ones. It cannot insure without fail that any tomorrow will be successful. Nothing “fixes” a child for life, no matter what happens next. But exciting, pleasing early experiences are seldom sloughed off. They go with the child, on into first grade, on into the child’s long life ahead.
    James L. Hymes, Jr. (20th century)

    It may cost me twenty thousand francs; but for twenty thousand francs, I will have the right to rail against the iniquity of humanity, and to devote to it my eternal hatred.
    Molière [Jean Baptiste Poquelin] (1622–1673)

    One way to do it might be by making the scenery penetrate the automobile. A polished black sedan was a good subject, especially if parked at the intersection of a tree-bordered street and one of those heavyish spring skies whose bloated gray clouds and amoeba-shaped blotches of blue seem more physical than the reticent elms and effusive pavement. Now break the body of the car into separate curves and panels; then put it together in terms of reflections.
    Vladimir Nabokov (1899–1977)