Cory Rooney - Songwriting and Production Credits

Songwriting and Production Credits

  • For Brie Larson
    • Produced some tracks in her debut album, Finally Out Of P.E.
  • For Jennifer Lopez
    • "Ain't It Funny"
    • "I'm Real"
    • "If You Had My Love"
    • "Feelin' So Good"
    • "Play"
    • "All I Have"
    • "Jenny from the Block"
    • "I'm Glad"
    • "Alive"
    • "Hold You Down"
    • "We Gotta Talk"
  • For Toni Braxton
    • "Stupid" (co-wrote)
  • For Lindsay Lohan
    • "Rumors" (co-wrote)
  • For ThalĂ­a
    • "I Want You"
    • "The Mexican/The Mexican (Spanish)"
  • For Destiny's Child
    • "Independent Women, Pt. 1" (co-wrote)
  • For Mary J. Blige
    • "Real Love" (co-wrote)
  • For Marc Anthony
    • "I Need To Know" (co-wrote)
  • For Jessica Simpson
    • "I Think I'm in Love with You"
    • "Hot Like Fire"
    • "What's It Gonna Be"
    • "His Eye Is On The Sparrow"
    • "Swing With Me"
    • "Fired Up" (co-wrote)
    • "Between You & I" (co-wrote)
    • "You Spin Me Round (Like a Record)"
  • For Mandy Moore
    • "Everything My Heart Desires" (co-produced)
    • "The Way to My Heart" (co-produced)
  • For Yulia K
    • "End of the Earth" (produced)
    • "Saved Me the Trouble" (produced)
    • "Make Some Noise" (produced)
    • "Body Language" (produced)
    • "Quarter Past Sorry" (produced)
    • "Self Service" (produced)

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    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)