Meaning
One theory about the meaning of the carol is that it is concerned with the legend of the Holy Grail. In Arthurian traditions of the Grail story, the Fisher King is the knight who is the Grail's protector, and whose legs are perpetually wounded. When he is wounded his kingdom suffers and becomes a wasteland. This would explain the reference to "an orchard brown".
The text may be an allegory in which the crucified is described as a wounded knight. The bleeding knight could be Christ who bleeds for the sins of humanity endlessly. Christ is most probably represented as a knight as he is battling sin and evil by his continual pain. The "orchard brown" to which the knight was conveyed becomes, in this reading, the "orchard" of wooden crosses that covered the hill of Golgotha/Calvary where Christ - along with many others - was Crucified, while the "hall... hanged with purpill and pall" could be a representation of the tomb in which Christ was placed after Crucifixion. This allegorical interpretation would tie in with the seven stanzas possibly representing the Seven Deadly Sins. The maiden who is by the knight's side could be Mary. There is religious symbolism throughout the carol. The falcon may have several possible meanings. It may be that, as a bird of prey, it represents those who killed Christ and sent him to heaven. It may also represent a new beginning and freedom, which Christ gained on his death. The colours in the carol are also significant. The purple and gold are signs of wealth, although these were also colours that referred to the Church due to its wealth. The pall (black velvet) probably refers to death.
One recent interpretation is that it was composed about the execution of Anne Boleyn, wife of Henry VIII, whose badge was a falcon.
Read more about this topic: Corpus Christi Carol
Famous quotes containing the word meaning:
“[Woman’s] life-long economic parasitism has utterly blurred her conception of the meaning of equality.”
—Emma Goldman (1869–1940)
“Rhyme and meter force gaps in meaning so the muse can enter.”
—Mason Cooley (b. 1927)
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)