The Changing Face of Coronation Street
According to the show's backstory the fictional Coronation Street was built in 1902, and named after the coronation of King Edward VII. The row of terrace houses is the only part of the street to remain relatively unaltered since 1902. The only real structural change to the terrace was in 1965 when number 7 collapsed due to old mine-workings under it. After the collapse the site remained vacant with a park bench placed in the gap between numbers 5 and 9. A new house was constructed on the site in 1982.
The other side of the street has been the site of several different building developments. The original Hardcastle's Mill building constructed in 1882 was the location of Elliston's Raincoat Factory in the series. The building was demolished in 1968 along with the Glad Tidings Mission Hall, to make way for new maisonette houses. This three-storey building comprised four three bedroom duplexes, accessed from ground level, and three OAP ground floor-flats. The maisonettes were demolished in 1971 after a structural fault was identified following a fire and were replaced by the Mark Brittain Warehouse and a new community centre. 1989 saw a radical redevelopment of Coronation Street when the factory and community centre were demolished and replaced by three new houses, two shop units, a garage and a factory. They all stood until 2010, when a derailed tram crashed through both D&S Alahan's and The Kabin.
Read more about this topic: Coronation Street Sets, Weatherfield Life
Famous quotes containing the words changing, face and/or street:
“Sweet love, I see, changing his property,
Turns to the sourest and most deadly hate.”
—William Shakespeare (1564–1616)
“But to most of us society shows not its face and eye, but its side and back. To stand in true relations with men in a false age is worth a fit of insanity, is it not?”
—Ralph Waldo Emerson (1803–1882)
“The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.”
—Jean Szarkowski (b. 1925)