Career
After study at Theodora Irvine's Studio of the Theatre, Wilde began appearing in plays in stock and in New York. He made his Broadway debut in 1935 in Moon Over Mulberry Street. He wrote a fencing play, Touché, under the pseudonym Clark Wales in 1937. Wilde was hired as a fencing teacher by Laurence Olivier for his 1940 Broadway production of Romeo and Juliet and was given the role of Tybalt in the production. His performance in this role netted him a Hollywood film contract.
He had several small film roles until he played the role of Frédéric Chopin in 1945's A Song to Remember, for which he was nominated for an Academy Award as Best Actor. In 1945 he also starred in A Thousand and One Nights with Evelyn Keyes. He spent the rest of the decade appearing in romantic and swashbuckling films, but he also appeared in some significant films noir, opposite Gene Tierney in Leave Her to Heaven (1945), Road House (1948) and Shockproof (1949), the latter film also starring his then wife Patricia Knight.
In the 1950s, Wilde created his own film production company and produced the film noir The Big Combo (1955). Wilde played the male lead alongside his second wife Jean Wallace. That same year, he appeared in an episode of I Love Lucy as himself. In 1957, he guest starred on an episode of Father Knows Best as himself. Also in 1957, he played the role of the 13th century Persian poet Omar Khayyam in the film Omar Khayyam.
He produced, directed, and starred in The Naked Prey (1966), in which he played a man stripped naked and chased by hunters from an African tribe affronted by the behavior of other members of his safari party. The original script for The Naked Prey was largely based on a true historical incident about a trapper named John Colter being pursued by Blackfeet Indians in Wyoming. Lower shooting costs, tax breaks, and material and logistical assistance offered by Rhodesia convinced Wilde and the other producers to shoot the film on location in Rhodesia (now Zimbabwe).
Wilde's other notable directing efforts include Beach Red (1967) and No Blade of Grass (1970).
During the early 1970s, Wilde took a break from motion pictures and theater to turn toward television. He appeared as an unethical surgeon in the 1971 Night Gallery episode "Deliveries in the Rear" and portrayed an anthropologist in the 1972 TV movie Gargoyles. He returned to film shortly thereafter and wrote, directed, and starred in the exploitation film Sharks' Treasure, a 1975 film intended to capitalize on the "Shark Fever" popular in the mid-1970s in the wake of the success of Peter Benchley's Jaws.
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