Definition
A subset C of a vector space V is a convex cone if αx + βy belongs to C, for any positive scalars α, β, and any x, y in C.
The defining condition can be written more succinctly as "αC + βC = C" for any positive scalars α, β.
The concept is meaningful for any vector space that allows the concept of "positive" scalar, such as spaces over the rational, algebraic, or (more commonly) the real numbers.
The empty set, the space V, and any linear subspace of V (including the trivial subspace {0}) are convex cones by this definition. Other examples are the set of all positive multiples of an arbitrary vector v of V, or the positive orthant of (the set of all vectors whose coordinates are all positive).
A more general example is the set of all vectors λx such that λ is a positive scalar and x is an element of some convex subset X of V. In particular, if V is a normed vector space, and X is an open (resp. closed) ball of V that does not contain 0, this construction gives an open (resp. closed) convex circular cone.
The intersection of two convex cones in the same vector space is again a convex cone, but their union may fail to be one. The class of convex cones is also closed under arbitrary linear maps. In particular, if C is a convex cone, so is its opposite -C; and C(-C) is the largest linear subspace contained in C.
Read more about this topic: Convex Cone
Famous quotes containing the word definition:
“According to our social pyramid, all men who feel displaced racially, culturally, and/or because of economic hardships will turn on those whom they feel they can order and humiliate, usually women, children, and animalsjust as they have been ordered and humiliated by those privileged few who are in power. However, this definition does not explain why there are privileged men who behave this way toward women.”
—Ana Castillo (b. 1953)
“Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.”
—Walter Pater (18391894)
“The definition of good prose is proper words in their proper places; of good verse, the most proper words in their proper places. The propriety is in either case relative. The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.”
—Samuel Taylor Coleridge (17721834)