Subject Index of Conversation Analysis Literature
The following is a list of important phenomena identified in the conversation analysis literature, followed by a brief definition and citations to articles that examine the named phenomenon either empirically or theoretically. Articles in which the term for the phenomenon is coined or which present the canonical treatment of the phenomenon are in bold, those that are otherwise centrally concerned with the phenomenon are in italics, and the rest are articles that otherwise aim to make a significant contribution to an understanding of the phenomenon.
- This list is incomplete; you can help by expanding it.
- TURN-TAKING
- A process by which interactants allocate the right or obligation to participate in an interactional activity. (Sacks, Schegloff, & Jefferson, 1974)
- REPAIR
- The mechanisms through which certain "troubles" in interaction are dealt with. (Schegloff, Jefferson, & Sacks 1977)
- PREFERENCE ORGANIZATION
- The ways through which different types of social actions ('preferred' vs. 'dispreferred') are carried out sequentially. (Pomerantz 1978, Pomerantz 1984)
Read more about this topic: Conversation Analysis
Famous quotes containing the words subject, index, conversation, analysis and/or literature:
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.”
—Nadine Gordimer (b. 1923)
“As a work of art it has the same status as a long conversation between two not very bright drunks.”
—Clive James (b. 1939)
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (1838–1918)
“All modern American literature comes from one book by Mark Twain called Huckleberry Finn.... American writing comes from that. There was nothing before. There has been nothing as good since.”
—Ernest Hemingway (1899–1961)