Reception
Dr. James Wingate, chair of the Motion Picture Division of the State of New York Department of Education — which oversaw the state's censorship board — described it as "a pretty rowdy picture, dealing largely with drunkenness, blackmail, and lechery, and without any particularly sympathetic characters or elements." When Convention City was released, it averaged twenty cuts per state board.
TIME said that "Convention City is a glib, disorganized batch of footnotes on a familiar aspect of U.S. business." and that "Convention City is adumbrated with many a drinking scene, a company song ("Oh, Honeywell" to the tune of "My Maryland"), and some quips which may cause some cinemagoers to wonder what Will Hays is doing."
The New York Times said that "Several of the jokes need a subterranean mind to be correctly understood. An accurate appraisal of "Convention City" should include the information that the Strand's audiences laughed long and loud." The Times also praised Adolphe Menjou's performance while finding Joan Blondell's performances to be getting tiresome as she was playing the same irreverent character in her films.
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)