Works
Conrad von Soest's main surviving works are influenced by French illuminated manuscripts and certain early Parisian examples of Early Netherlandish painting; his detailed knowledge of Parisian patterns and techniques points towards a sojourn in Paris as a journeyman in the 1380s:
- Niederwildungen Altarpiece, a Crucifixion Altarpiece in the protestant Stadtkirche of Bad Wildungen: large winged altarpiece, originally dated 1403. It shows scenes from the Life of the Virgin and the Passion of Christ, including the oldest known depiction of glasses north of the Alps. A contemporary local chronicle (rubbed condition) is written on the reverse side of the central panel. The predella is missing.
- Panel from a small portable altarpiece for the Dortmund family of Berswordt with a depiction of "St. Paul" and with "Reinoldus" as a knight on the reverse side, dated to 1404, Alte Pinakothek Munich.
- Two small panels, showing "St. Odilia" and "St. Dorothea", painted around 1410, Westf. Landesmusem Münster.
- Marienaltar, a large tryptych with scenes from the Life of the Virgin, in the Marienkirche at Dortmund, dated to around 1420. The three panels have been cut in 1720 to fit into a huge baroque framework but are now reassembled in a modern framework. The lunette and predella of the altarpiece are lost.
- Attributed: Nikolaustafel, a panel showing St. Nikolas, Nikolai Chapel at Soest.
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“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)