Conrad Von Soest - Works

Works

Conrad von Soest's main surviving works are influenced by French illuminated manuscripts and certain early Parisian examples of Early Netherlandish painting; his detailed knowledge of Parisian patterns and techniques points towards a sojourn in Paris as a journeyman in the 1380s:

  • Niederwildungen Altarpiece, a Crucifixion Altarpiece in the protestant Stadtkirche of Bad Wildungen: large winged altarpiece, originally dated 1403. It shows scenes from the Life of the Virgin and the Passion of Christ, including the oldest known depiction of glasses north of the Alps. A contemporary local chronicle (rubbed condition) is written on the reverse side of the central panel. The predella is missing.
  • Panel from a small portable altarpiece for the Dortmund family of Berswordt with a depiction of "St. Paul" and with "Reinoldus" as a knight on the reverse side, dated to 1404, Alte Pinakothek Munich.
  • Two small panels, showing "St. Odilia" and "St. Dorothea", painted around 1410, Westf. Landesmusem Münster.
  • Marienaltar, a large tryptych with scenes from the Life of the Virgin, in the Marienkirche at Dortmund, dated to around 1420. The three panels have been cut in 1720 to fit into a huge baroque framework but are now reassembled in a modern framework. The lunette and predella of the altarpiece are lost.
  • Attributed: Nikolaustafel, a panel showing St. Nikolas, Nikolai Chapel at Soest.

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    “For thou hast made him a little lower than the angels, and hast
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    Thou madest him to have dominion over the works of thy hands;”
    —Bible: Hebrew Psalm VIII (l. VIII, 5–6)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
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    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
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    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)