The Concert of Europe (Russian: Система Европейского концерта, Sistema Evropejskogo koncerta), also known as the Congress System after the Congress of Vienna, was the balance of power that existed in Europe from the end of the Napoleonic Wars (1815) to the outbreak of World War I (1914), albeit with major alterations after the revolutions of 1848. Its founding powers were Austria, Prussia, the Russian Empire and the United Kingdom, the members of the Quadruple Alliance responsible for the downfall of the First French Empire. In time France was established as a fifth member of the concert. At first, the leading personalities of the system were British foreign secretary Lord Castlereagh, Austrian chancellor Klemens von Metternich and Russian czar Alexander I. Charles Maurice de Talleyrand-Périgord of France was largely responsible for quickly returning that country to its place alongside the other major powers in international diplomacy.
The age of the Concert is sometimes known as the Age of Metternich, due to the influence of the Austrian chancellor's conservatism and the dominance of Austria within the German Confederation, or as the European Restoration, because of the reactionary efforts of the Congress of Vienna to restore Europe to its state before the French Revolution. The rise of nationalism, the unification of Germany and the Risorgimento in Italy, and the Eastern Question were among the factors which brought an end to the Concert's effectiveness. Among the meetings of the Great Powers during this period were: Aix-la-Chappelle (1818), Carlsbad (1819), Troppau (1820), Laibach (1821), Verona (1822), London (1832), Berlin (1878).
The Concert of Europe had no written rules or permanent institutions but at times of crisis any of them could propose a conference.
Famous quotes containing the words concert of, concert and/or europe:
“Proportion ... You can’t help thinking about it in these London streets, where it doesn’t exist.... It’s like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way.... A concert of Brobdingnagian cats. Order has been turned into a disgusting chaos. We need no barbarians from outside; they’re on the premises, all the time.”
—Aldous Huxley (1894–1963)
“Proportion ... You can’t help thinking about it in these London streets, where it doesn’t exist.... It’s like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way.... A concert of Brobdingnagian cats. Order has been turned into a disgusting chaos. We need no barbarians from outside; they’re on the premises, all the time.”
—Aldous Huxley (1894–1963)
“That land is like an Eagle, whose young gaze
Feeds on the noontide beam, whose golden plume
Floats moveless on the storm, and in the blaze
Of sunrise gleams when Earth is wrapped in gloom;
An epitaph of glory for the tomb
Of murdered Europe may thy fame be made,
Great People! as the sands shalt thou become;
Thy growth is swift as morn, when night must fade;
The multitudinous Earth shall sleep beneath thy shade.”
—Percy Bysshe Shelley (1792–1822)