Press
Cīņa (Struggle) was a newspaper founded in March 1904 as the Central Organ of the Latvian Social-Democrats. It was published periodically in Riga, Brussels and Petrograd. From 1919 it was the organ of the Communist Party of Latvia.
While the LKP leadership was in exile in the USSR during the interwar years and the Nazi occupation in World War II, Cīņa was published in the Russian SFSR. From 1940 onwards it was published in Riga.
In the Latvian SSR, Cīņa was one of the main Latvian-language dailies. In 1990, when the Ķezbers faction split from the main LKP to form the Independent Communists, they changed the name of the newspaper to Neatkarīgā Cīņa (The Independent Struggle), which after privatisation in the 1990s later became Neatkarīgā Rīta Avīze.
The Russian-language sister publication to Cīņa published by the LKP was the daily Sovetskaya Latviya (Soviet Latvia); while the daily Padomju Jaunatne (Soviet Youth) was the newspaper of the Latvian Young Communist League.
In the Latvian SSR, the LKP also published a monthly political journal Padomju Latvijas Komunists (Communist of Soviet Latvia, ISSN 0132-6430; in the 1940s and '50s: Padomju Latvijas Boļševiks), with a parallel edition in Russian (Kommunist Sovetskoi Latvii, ISSN 0321-2092). The journal ceased publication in 1990.
Read more about this topic: Communist Party Of Latvia
Famous quotes containing the word press:
“Every expansion of government in business means that government in order to protect itself from the political consequences of its errors and wrongs is driven irresistibly without peace to greater and greater control of the nation’s press and platform. Free speech does not live many hours after free industry and free commerce die.”
—Herbert Hoover (1874–1964)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)
“In those rare days, the press was seldom known to snarl or bark,
But sweetly sang of men in pow’r, like any tuneful lark;
Grave judges, too, to all their evil deeds were in the dark;
And not a man in twenty score knew how to make his mark.
Oh the fine old English Tory times;”
—Charles Dickens (1812–1890)