Conclusion
Today, the Report is considered by some to be a "prime example of untruthful war propaganda." The report released by the committee was considered credible because of its use of professional structure and legal terms, but the lack of documented resources greatly injured the reputation of the committee for modern scholars.
The findings of the Committee on Alleged German Outrages show that war propaganda can be effective, even if it lacks both true and reliable sources. “The character of evidence helps explain how inaccuracies and exaggerations so frequently crept into the text.” While these exaggerations are most commonly seen in the witness accounts, the German diaries in actuality did not contain accounts “of the sexual-sadistic” scandals with women and children of Belgium. In a post-war report, the Belgian Commission proved that the main victims of the German war crimes were male adults, not women and children. Overall, modern scholars suggest that the committee's “Bryce Report slid from the factual into the symbolic.”
Despite its flaws, the four conclusions the Report comes to have been amply documented by recent historians: J. Horne and A. Kramer, German Atrocities 1914: A History of Denial (2001), L. Zuckerman, The Rape of Belgium (2003), and J. Lipkes, Rehearsals: The German Army in Belgium, August 1914 (2007). Lipkes endorses the Report’s analysis as well, while Horne and Kramer emphasize German paranoia.
Read more about this topic: Committee On Alleged German Outrages
Famous quotes containing the word conclusion:
“The conclusion has never changed: the worst sort of people come here for the worst sort of reasons and put upon those of us who have conveniently forgotten where we came from and how we got here.”
—Anna Quindlen (b. 1952)
“The source of our actions resides in an unconscious propensity to regard ourselves as the center, the cause, and the conclusion of time. Our reflexes and our pride transform into a planet the parcel of flesh and consciousness we are.”
—E.M. Cioran (b. 1911)
“The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.”
—Marcel Duchamp (1887–1968)