Coming of Age Ceremony
Coming of age ceremonies (成人式, Seijin-shiki?) marks of one's coming of age (age of majority), which reflects both the expanded rights but also increased responsibilities expected of new adults. The ceremonies are generally held in the morning at local city offices throughout Japan. All young adults who turned or will turn 20 between April 2 of the previous year and April 1 of the current one and who maintain residency in the area are invited to attend. Government officials give speeches, and small presents are handed out to the newly recognized adults.
Many women celebrate this day by wearing furisode, a style of kimono with long sleeves that hang down, and zōri sandals. Since most are unable to put on a kimono by themselves due to the intricacies involved, many choose to visit a beauty salon to dress and to set their hair. A full set of formal clothing is expensive, so it is usually either borrowed from a relative or rented rather than bought especially for the occasion. Men sometimes also wear traditional dress (e.g. dark kimono with hakama), but nowadays many men wear formal Western clothes such as a suit and tie more often than the traditional hakama. After the ceremony, the young adults often celebrate in groups by going to parties or going out drinking.
Read more about this topic: Coming Of Age Day
Famous quotes containing the words coming of, coming, age and/or ceremony:
“Most of us don’t have mothers who blazed a trail for us—at least, not all the way. Coming of age before or during the inception of the women’s movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums—what should they be? how should they act?—that became our uncertainties.”
—Anne Roiphe (20th century)
“Coming to terms with the rhythms of women’s lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.”
—Margaret Mead (1901–1978)
“That age will be rich indeed when those relics which we call Classics, and the still older and more than classic but even less known Scriptures of the nations, shall have still further accumulated, when the Vaticans shall be filled with Vedas and Zendavestas and Bibles, with Homers and Dantes and Shakespeares, and all the centuries to come shall have successively deposited their trophies in the forum of the world. By such a pile we may hope to scale heaven at last.”
—Henry David Thoreau (1817–1862)
“The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.”
—William Butler Yeats (1865–1939)