Columbus Fountain - Description

Description

Columbus Fountain is a semicircular double-basin fountain with a shaft (h. 45 ft.) in the center. The front of the shaft bears a full-length portrait of Christopher Columbus (approx. h. 15 ft.) wearing a mantle, staring forward with his hands folded in front of him. Beneath him is a ship prow that features a winged figurehead that represents the observation of discovery. A globe, representing the Western hemisphere, is on top of the shaft with four eagles on each corner connected by garland. The left and right sides of the shaft have two male figures decorating them. The right side figure is an elderly man, representing the Old World, and on the let side is a figure of a Native American, representing the New World. The back of the shaft has a low-relief medallion (approx. d. 3 ft.) with images of Ferdinand & Isabella. Two lions (approx. h. 5 ft.), placed away from the base, guard the left and right side of the fountain.

The back of the shaft is inscribed:

TO
THE MEMORY OF
CHRISTOPHER COLUMBUS
WHOSE HIGH FAITH
AN
INDOMITABLE COURAGE
GAVE TO MANKIND
A NEW WORLD
BORN MCDXXXVI
DIED MDIV

The fountain sits in the center of the Columbus traffic circle in front of Union Station.

Read more about this topic:  Columbus Fountain

Famous quotes containing the word description:

    The great object in life is Sensation—to feel that we exist, even though in pain; it is this “craving void” which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.
    George Gordon Noel Byron (1788–1824)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)