Color Terminology For Race - Western Classifications

Western Classifications

Further information: Scientific racism

One of the earlier uses of the concept of “black” as a metaphor for race was first used at the end of the 17th century when a French doctor named François Bernier (1625–1688), an early proponent of scientific racism, divided up humanity based on facial appearance and body type. He proposed four categories: Europeans, Far Easterners, Lapps, and Blacks. The first major scientific model was created in 18th century when Carolus Linnaeus recognized four main races: Europeanus which he labeled the white race, Asiatic, which he labeled the yellow race, Americanus, which he labeled the red race, and Africanus, which he labeled the black race. By adding the brown race, which he called "Malay" for Polynesians, Melanesians of Pacific Islands, and aborigines of Australia, Linnaeus' protégé, anthropology founder Johann Friedrich Blumenbach (1752–1840), came up with the five color typology for humans: white people (the Caucasian or white race), more or less black people (the Ethiopian or black race), yellow people (the Mongolian or yellow race), cinnamon-brown or flame colored people (the American or red race) and brown people (the Malay or brown race). Blumenbach listed the "races" in a hierarchic order of physical similarities: Caucasian, followed by American, followed by Mongolian, followed by Malayan, followed by Africoid peoples. Rand McNally's 1944 map of races describes Amerindians as being the copper race or copper people.

According to conservative writer Dinesh D'Souza, "Blumenbach's classification had a lasting influence in part because his categories neatly broke down into familiar tones and colors: white, black, yellow, red, and brown."

Read more about this topic:  Color Terminology For Race

Famous quotes containing the word western:

    Western man represents himself, on the political or psychological stage, in a spectacular world-theater. Our personality is innately cinematic, light-charged projections flickering on the screen of Western consciousness.
    Camille Paglia (b. 1947)