Color Motion Picture Film

Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.

The first color cinematography was by means of additive color systems such as the one patented in England by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was developed by George Albert Smith and successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filters.

With the present-day technology, there are two distinct processes: Eastman Color Negative 2 chemistry (camera negative stocks, duplicating interpositive and internegative stocks) and Eastman Color Positive 2 chemistry (positive prints for direct projection), usually abbreviated as ECN-2 and ECP-2. Fuji's products are compatible with ECN-2 and ECP-2.

Read more about Color Motion Picture Film:  Overview, Tinting and Hand Coloring, Physics of Light and Color, Monopack Color Film, How Modern Color Film Works, Modern Manufacturers of Color Film For Motion Picture Use

Famous quotes containing the words color, motion, picture and/or film:

    Good Hamlet, cast thy nighted color off.
    William Shakespeare (1564–1616)

    in the mind of man,
    A motion and a spirit, that impels
    All thinking things, all objects of all thought,
    And rolls through all things.
    William Wordsworth (1770–1850)

    Well, Mary, only six more days to go and your old Nathan will be out of the army. Haven’t decided what I’ll do yet. Somehow I just can’t picture myself back there on the banks of the Wabash rocking on a front porch. No, I’ve been thinkin I, maybe I’ll push on west, new settlements, California.
    Frank S. Nugent (1908–1965)

    All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.
    François Truffaut (1932–1984)