Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The first color cinematography was by means of additive color systems such as the one patented in England by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was developed by George Albert Smith and successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filters.
With the present-day technology, there are two distinct processes: Eastman Color Negative 2 chemistry (camera negative stocks, duplicating interpositive and internegative stocks) and Eastman Color Positive 2 chemistry (positive prints for direct projection), usually abbreviated as ECN-2 and ECP-2. Fuji's products are compatible with ECN-2 and ECP-2.
Read more about Color Motion Picture Film: Overview, Tinting and Hand Coloring, Physics of Light and Color, Monopack Color Film, How Modern Color Film Works, Modern Manufacturers of Color Film For Motion Picture Use
Famous quotes containing the words color, motion, picture and/or film:
“All our Concord waters have two colors at least; one when viewed at a distance, and another, more proper, close at hand.... Walden is blue at one time and green at another, even from the same point of view. Lying between the earth and the heavens, it partakes of the color of both.”
—Henry David Thoreau (1817–1862)
“Thence, flow! conceit and motion to rehearse
Pastoral terrors of youth still in the man,
Torsions of sleep, in emblematic verse
Rattling like dice unless the verse shall scan
All chance away....”
—Allen Tate (1899–1979)
“It’s no go the picture palace, it’s no go the stadium,
It’s no go the country cot with a pot of pink geraniums.
It’s no go the Government grants, it’s no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.”
—Louis MacNeice (1907–1963)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)