Color correction by using color gels, or filters, is a process used in stage lighting, photography, television, cinematography and other disciplines, the intention of which is to alter the overall color of the light; typically the light color is measured on a scale known as color temperature, as well as along a green–magenta axis orthogonal to the color temperature axis.
Without color correction gels, a scene may have a mix of various colors. Applying color correction gels in front of light sources can alter the color of the various light sources to match. Mixed lighting can produce an undesirable aesthetic when displayed on a television or in a theatre.
Conversely, gels may also be used to make a scene appear more natural by simulating the mix of color temperatures that occur naturally. This application is useful especially where motivated lighting (lending the impression that it is diegetic) is the goal. Color gels may also be used to tint lights for artistic effect.
Read more about Color Correction: Correlated Color Temperature, Gel Nomenclature, White Balancing Cameras
Famous quotes containing the words color and/or correction:
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)
“Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.”
—Horace Walpole (1717–1797)