Colley Cibber - Plays

Plays

The plays below were produced at the Theatre Royal, Drury Lane, unless otherwise stated. The dates given are of first known performance.

  • Love's Last Shift (Comedy, January 1696)
  • Woman's Wit (Comedy, 1697)
  • Xerxes (Tragedy, Lincoln's Inn Fields, 1699)
  • The Tragical History of King Richard III (Tragedy, 1699)
  • Love Makes a Man (Comedy, December 1700)
  • The School Boy (Comedy, advertised for 24 October 1702)
  • She Would and She Would Not (Comedy, 26 November 1702)
  • The Careless Husband (Comedy, 7 December 1704)
  • Perolla and Izadora (Tragedy, 3 December 1705)
  • The Comical Lovers (Comedy, Haymarket, 4 February 1707)
  • The Double Gallant (Comedy, Haymarket, 1 November 1707)
  • The Lady's Last Stake (Comedy, Haymarket, 13 December 1707)
  • The Rival Fools (Comedy, 11 January 1709)
  • The Rival Queans (Comical-Tragedy, Haymarket, 29 June 1710), a parody of Nathaniel Lee's The Rival Queens.
  • Ximena (Tragedy, 28 November 1712)
  • Venus and Adonis (Masque, 12 March 1715)
  • Myrtillo (Pastoral, 5 November 1715)
  • The Nonjuror (Comedy, 6 December 1717)
  • The Refusal (Comedy, 14 February 1721)
  • Cæsar in Egypt (Tragedy, 9 December 1724)
  • The Provoked Husband (with Vanbrugh, comedy, 10 January 1728)
  • Love in a Riddle (Pastoral, 7 January 1729)
  • Damon and Phillida (Pastoral Farce, Haymarket, 16 August 1729)
  • Papal Tyranny in the Reign of King John (Tragedy, Covent Garden, 15 February 1745)

Bulls and Bears, a farce performed at Drury Lane on 2 December 1715, was attributed to Cibber but was never published. The Dramatic Works of Colley Cibber, Esq. (London, 1777) includes a play called Flora, or Hob in the Well, but it is not by Cibber. Hob, or the Country Wake. A Farce. By Mr. Doggett was attributed to Cibber by William Chetwood in his General History of the Stage (1749), but John Genest in Some Account of the English Stage (1832) thought it was by Thomas Doggett. Other plays attributed to Cibber but probably not by him include Cinna's Conspiracy, performed at Drury Lane on 19 February 1713, and The Temple of Dullness of 1745.

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