Work
Mansion sold illuminated manuscripts to the aristocracy, and luxurious incunabula to the bourgeoisie, but he was one of the first to also publish smaller and cheaper books of only twenty to thirty pages, mainly in French. Nowadays, 25 editions of incunabula by Mansion alone are known, making him the most prolific of Bruges' early printers. Only two of these are in Latin, all others are in French, many of them first editions. Customers of Mansion include Charles de Croÿ, prince of Chimay, and Marie, the widow of Louis de Luxembourg, Count of Saint-Pol. Mansion has been called the first printer of luxury books.
He collaborated with major manuscript illuminators, such as the Master of the Dresden Prayer Book, who were fast losing work to printing, or copyists of their work. In fact only two of his books are illustrated, the influential Ovide Moralisé with woodcuts, and a French translation of Boccaccio's De Casibus Virorum Illustrium, the first book to be illustrated with engravings, some of which have been claimed to be the work of the Dresden Prayer Book Master and other identified illuminators in the circle of the Master of Anthony of Burgundy. As intaglio prints, the nine engravings had to be printed separately from the relief text and then pasted in, and only three copies are known with the engravings. More copies are known without the engravings, several of which contain illuminations instead. It has been suggested that this was Mansion's original intention (other incunabula left spaces for manual illustration), but that this hybrid product did not attract the wealthy buyers of illuminations, so the engravings were an afterthought, aimed at a less exclusive market. Mansion is also known as the translator of at least five texts from Latin to French, including Le dialogue des créatures, printed by Dutch Gerard Leeu in 1482.
Read more about this topic: Colard Mansion
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