Codex Tchacos - The Codex

The Codex

The codex was rediscovered near El Minya, Egypt during the 1970s, and stored in a variety of unorthodox ways by various dealers who had little experience with antiquities. One stored it in a safe deposit box and another actually froze the documents, causing a unique and difficult kind of decay that makes the papyrus appear sandblasted. (Archivists can do nothing to remedy this damage since it is caused by the outer layers of the papyrus flaking off—taking ink with them.) Scholars heard rumors of the text from the 1980s onward as dealers periodically offered it for sale (displaying portions of the text or photographs of portions of the text in the process.) It was not examined and translated until 2001 after its current owner, Frieda Nussberger-Tchacos, concerned with its deteriorating condition, transferred it to the Maecenas Foundation for Ancient Art in Basel, Switzerland. She named it in honor of her father, Dimaratos Tchacos.

Roughly a dozen pages of the original manuscript, seen briefly by scholars in the 1970s, are missing from the Codex today; it is believed that they were sold secretly to dealers, but none have come forward. According to National Geographic's website, fragments purported to be from the codex may also be part of an Ohio antiquities dealer's estate.

In April 2006, a complete translation of the text, with extensive footnotes, was released by the National Geographic Society: The Gospel Of Judas (ISBN 1-4262-0042-0, April 2006). National Geographic, which restored and conserved of the codex, has also created a two hour television documentary, The Gospel of Judas, which aired worldwide on the National Geographic Channel on April 9, 2006. A special issue of the magazine was also devoted to the Gospel of Judas. A critical edition of the Codex Tchacos, including complete, near life-sized color photographs by National Geographic, a revised transcription of the Coptic, and complete translation of the codex appeared in late 2007. The team also hopes to look at the cartonnage (a sort of paper-mâché used to stiffen the codex's cover) in order to find clues about who made the codex and when/where. (As a book the Tchacos Codex may be older than the twelve surviving volumes of the Nag Hammadi Library, making it the oldest surviving book in Western history.)

April D. DeConick (the Isla Carroll and Percy E. Turner Professor of Biblical Studies in the Department of Religious Studies at Rice University) has published a book, The Thirteenth Apostle: What the Gospel of Judas Really Says, questioning both the National Geographic's handling of the Gospel of Judas' publication and the veracity of its translation. She has argued both that National Geographic denied competent scholars access and that the scholars who were granted access to the Codex Tchacos were not able to go about their work properly due to the constraints put upon them, accusations similar to those leveled at the guardians of the Dead Sea Scrolls. Most notably, she points out that the first National Geographic translation omitted a "not," reversing the meaning of the text. In an opinion piece in the New York Times (December 1, 2007), she wrote:

According to the National Geographic translation, Judas’s ascent to the holy generation would be cursed. But it’s clear from the transcription that the scholars altered the Coptic original, which eliminated a negative from the original sentence. In fact, the original states that Judas will "not ascend to the holy generation."

The importance of the Codex Tchacos is not in doubt, but work has only begun in understanding its true influence and origin.