Production
Baseball scenes were filmed at Birmingham's Rickwood Field, which stood in for Philadelphia's Shibe Park and Pittsburgh's Forbes Field. Scenes also were filmed in Cobb's actual hometown of Royston, Georgia.
Much of the Cobb location filming was done in Northern Nevada. The hotel check-in was at the Morris Hotel on Fourth Street in Reno. Casino, outdoor and entry shots were done outside Cactus Jack's Hotel and Casino in Carson City and outside the then-closed, now-reopened (2007) Doppelganger's Bar in Carson City.
The late baseball announcer Ernie Harwell, a member of the Hall of Fame, is featured as emcee at a Cooperstown, New York awards banquet. Real-life sportswriters Allan Malamud, Doug Krikorian, and Jeff Fellenzer and boxing publicist Bill Caplan appear in the movie's opening and closing scenes at a Santa Barbara bar as Stump's friends and fellow scribes. Carson City free-lance photographer Bob Wilkie photographed many still scenes for Nevada Magazine, the Associated Press, and the Nevada Appeal.
Tommy Lee Jones was shooting this film when he won the Academy Award for Best Supporting Actor for The Fugitive. Since his head was partially shaved in the front for his role as the balding, 72 year old Cobb, the actor made light of the situation in his acceptance speech: "All a man can say at a time like this is, 'I am not really bald,'" Jones said. He added, "But I do have work." In addition to his partially shaved head, Jones also endured a broken ankle, suffered while practicing Cobb's distinctive slide.
The film shows Cobb sharpening his spikes as a means to keep infielders from tagging him out as he ran the bases, and was accused of spiking several players who tried. Cobb, however, always denied ever spiking anyone on purpose.
Tyler Logan Cobb, a descendant of Cobb's, played "Young Ty."
Read more about this topic: Cobb (film)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)