Cobalt Blue in Human Culture
Art
- John Varley suggested cobalt blue as a good substitution for ultramarine blue for painting skies.
- Maxfield Parrish, famous partly for the intensity of his skyscapes, used cobalt blue, and cobalt blue is sometimes called Parrish blue as a result.
- Cobalt blue was the primary blue pigment used in Chinese blue and white porcelain for centuries, beginning in the late 8th or early 9th century.
Construction
- Because of its chemical stability in the presence of alkali, cobalt blue is used as a pigment in blue concrete.
Glassmaking
- The blue seen on many glassware pieces is cobalt blue, and it is used widely by artists in many other fields.
- Cobalt glass almost perfectly filters out the bright yellow emission of ionized sodium, common in most flames (as even the most trace amount of it is very overpowering).
Ophthalmology
- Cobalt blue is used as a filter used in ophthalmoscopes, and is used to illuminate the cornea of the eye following application of fluorescein dye which is used to detect corneal ulcers and scratches.
Sports
- Major League Soccer's Kansas City Wizards have had cobalt blue as the secondary color of its home uniforms since 2008.
Vexilology
- Several countries including the Netherlands and Romania have cobalt blue as one of three shades of their tricolour.
Automobiles
- Several car manufacturers including Jeep and Bugatti have cobalt blue as one paint options Jeep Wrangler Unlimited.
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Famous quotes containing the words blue, human and/or culture:
““Things as they are
Are changed upon the blue guitar.””
—Wallace Stevens (1879–1955)
“The household is a school of power. There, within the door, learn the tragi-comedy of human life.”
—Ralph Waldo Emerson (1803–1882)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)