Close And Open Harmony
Close harmony is an arrangement of the notes of chords within a narrow range. It is different from open harmony or voicing in that it uses each part on the closest harmonizing note (such as - C4, E4, G4), while the open voicing uses a broader pitch array (like - C3, G3, E4) expanding the harmonic range past the octave. Close harmony or voicing can refer to both instrumental and vocal arrangements. It can follow the standard voice-leading rules of classical harmony, as in string quartets or Bach's Chorales, or proceed in parallel motion with the melody in 3rds or 6ths.
Impressionist composers like Claude Debussy and Maurice Ravel often used close harmony in their works and other intervals, such as 7ths, 9ths, and 11ths may be used, since the chords have 4 or more notes and the harmonies are more complex. In jazz, this influence is reflected in George Gershwin's work.
Read more about Close And Open Harmony: Vocal, Instrumental, Block Harmony
Famous quotes containing the words close, open and/or harmony:
“Extraordinary creature! So close a friend, and yet so remote.”
—Thomas Mann (1875–1955)
“The poorest children in a community now find the beneficent kindergarten open to them from the age of two-and-a-half to six years. Too young heretofore to be eligible to any public school, they have acquired in their babyhood the vicious tendencies of their own depraved neighborhoods; and to their environment at that tender age had been due the loss of decency and self-respect that no after example of education has been able to restore to them.”
—Virginia Thrall Smith (1836–1903)
“Dust as we are, the immortal spirit grows
Like harmony in music; there is a dark
Inscrutable workmanship that reconciles
Discordant elements, makes them cling together
In one society.”
—William Wordsworth (1770–1850)