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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: II. Feuilles Mortes
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: III. La Puerta Del Vino
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: IV. 'Les Fées Sont D'Exquises Danseuses'
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: V. Bruyères
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VI. 'General Lavine'—Excentric
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VII. La Terrasse Des Audiences Du Clair De Lune
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VIII. Ondine
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: IX. Hommage À S. Pickwick, Esq., P.P.M.P.C.
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: X. Canope
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: XI. Les Tierces Alternées
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: XII. Feux D'Artifice
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Performed by Giorgi Latsabidze
Clair de lune from Suite Bergamasque
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Performed by Robin Alciatore. Courtesy of Musopen
Mazurka
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("Mazurka")
Quand j'ai ouy le tambourin
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(2.4 Mb)
Dieu qu'il la fait bon regarder
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(1.5 Mb)
Dieu qu'il la fait bon regarder
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(1.9 Mb)
Quand j'ai ouy le tabourin sonner
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(1.9 Mb)
Yver vous n'estes qu'un vilain
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(1.6 Mb)
Beau Soir
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La Plus que Lente
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Arranged by J. Kowalewski, performed by the Advent Chamber Orchestra
Le Petit Negre
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Arranged by Anne DeBlois, performed by the Advent Chamber Orchestra
Syrinx
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Performed by Sarah Bassingthwaite
Debussy: La plus que lente
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Performed March 2009
Danse Sacrée
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Performed by the United States Marine Corps Chamber Orchestra. Chamber orchestra arrangement of the Chamber music piece scored for string quintet.
Danse Profane
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Performed by the United States Marine Corps Chamber Orchestra. Chamber orchestra arrangement of the Chamber music piece scored for string quintet.
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.” —Joshua Meyrowitz, U.S. educator, media critic. The Blurring of Public and Private Behaviors, No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.” —Pope John Paul II (b. 1920)
“The media transforms the great silence of things into its opposite. Formerly constituting a secret, the real now talks constantly. News reports, information, statistics, and surveys are everywhere.” —Michel de Certeau (19251986)