Classical Unified Field Theories
Since the 19th century, some physicists have attempted to develop a single theoretical framework that can account for the fundamental forces of nature – a unified field theory. Classical unified field theories are attempts to create a unified field theory based on classical physics. In particular, unification of gravitation and electromagnetism was actively pursued by several physicists and mathematicians in the years between World War I and World War II. This work spurred the purely mathematical development of differential geometry. Albert Einstein is the best known of the many physicists who attempted to develop a classical unified field theory.
This article describes various attempts at a classical (non-quantum), relativistic unified field theory. For a survey of classical relativistic field theories of gravitation that have been motivated by theoretical concerns other than unification, see Classical theories of gravitation. For a survey of current work toward creating a quantum theory of gravitation, see quantum gravity.
Read more about Classical Unified Field Theories: Overview, Early Work, Differential Geometry and Field Theory, Weyl's Infinitesimal Geometry, Kaluza's Fifth Dimension, Eddington's Affine Geometry, Einstein's Geometric Approaches, Schrödinger's Pure-affine Theory, Later Work
Famous quotes containing the words classical, unified, field and/or theories:
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidneys pastoral romance (1590)
“The man who knows governments most completely is he who troubles himself least about a definition which shall give their essence. Enjoying an intimate acquaintance with all their particularities in turn, he would naturally regard an abstract conception in which these were unified as a thing more misleading than enlightening.”
—William James (18421910)
“She is as in a field a silken tent
At midday when a sunny summer breeze
Has dried the dew and all its ropes relent,”
—Robert Frost (18741963)
“A work of art that contains theories is like an object on which the price tag has been left.”
—Marcel Proust (18711922)