Class Reunions in Film and Literature
In film and literature, especially comedy, crime novels, thrillers and psychological suspense novels, class reunions have been a frequent device used to show the eruption of emotions such as shame, hatred or guilt within individual characters who, suddenly faced again with their own youth, become aware of the fact that they have been unable to cope with their past. In many cases, those who used to be bullied, humiliated or in any other way mistreated by their teachers and/or classmates believe that now their chance has come to take revenge on their former torturers. Often in fiction, participants nostalgically reminisce about their old school days, fondly remember their school pranks. Alumni are quite often concerned about how their lives have turned out when compared with the lives of their former classmates, and will sometimes feel pressured enough to go to great lengths to concoct stories about their fruitful careers, personal accomplishments and relationships with others.
Another staple of this kind of fiction is former classmates taking up with their old flame again, either because they have changed to their advantage and developed into an admirable adult or precisely for the opposite reason—because they have not changed at all in a fleeting world.
Examples of films, revolving around class reunions, include::
|
|
Examples of fiction, revolving around class reunions, include:
|
|
Examples of TV shows loosely based on class reunions, include:
|
Read more about this topic: Class Reunion
Famous quotes containing the words class, reunions, film and/or literature:
“People with a culture of poverty suffer much less from repression than we of the middle class suffer and indeed, if I may make the suggestion with due qualification, they often have a hell of a lot more fun than we have.”
—Brian Friel (b. 1929)
“Some of the smartest women in the country said that theyre too embarrassed to attend their reunions at Harvard Business School if they have dropped out of the work force, left the fast track by choosing part-time work, or decided to follow anything other than the standard male career path.”
—Deborah J. Swiss (20th century)
“Film music should have the same relationship to the film drama that somebodys piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (18821971)
“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nations heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)