Poet, Playwright, Essayist
The Spanish language was where he was reared and schooled. Alongside Tagalog, it was Recto's mother tongue, although he was equally adept in English. His initial fame was as a poet while a student at the University of Santo Tomás when he published a book Bajos los cocoteros (Under the Coconut Trees, 1911), a collection of his poems in Spanish. A staff writer of El Ideal, and later La Vanguardia, he wrote a daily column, Primeras Cuartillas (First Sheets), under the nom de plume Aristeo Hilario. They were prose and numerous poems of satirical pieces. Some of his work still grace the classic poetry anthologies of the Hispanic world.
Among the plays that he authored were La ruta de Damasco (The Route to Damascus, 1918), and Solo entre las sombras (Alone among the Shadows, 1917), which were lauded not only in the Philippines, but also in Spain and Latin America. Both were produced and staged in Manila to critical acclaim in the mid 1950s.
In 1929, his article Monroismo asiático (Asiatic Monroism) was published, validating his repute as a political satirist. In what was claimed as a commendable study in polemics, he proferred his arguments and defenses in a debate with Dean Máximo Kálaw of the University of the Philippines where Kálaw championed a version of the Monroe Doctrine with its application to the Asian continent, while Recto took the opposing side. The original Monroe doctrine (1823) was U.S. President Monroe's foreign policy of keeping the Americas off-limits to the influence of the Old World, and states that the United States, Mexico, and countries in South and Central America were no longer open to European colonization. Recto was passionately against its implementation in Asia, wary of Japan's preeminence and its aggressive stance towards its neighbors. In his deliberation he wrote about foreseeing the danger Japan posed to the Philippines and other Asian countries. His words proved prophetic when Japan invaded and colonized the region, including the Philippines from 1942-45.
His eloquence and facility with the Spanish language were recognized throughout the Hispanic world. The Enciclopedia Universal says of him: Recto, more than a politician and lawyer, is a Spanish writer, and that among those of his race (he is pure Tagalog on both sides), there is not and there has been no one who has surpassed him in the mastery of the language of his country's former sovereign.
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