Structure
The sonata is in three movements:
- 1. Allegro tristamente (Allegretto - Très calme - Tempo allegretto)
- 2. Romanza (Très calme)
- 3. Allegro con fuoco (Très animé)
The structure differs somewhat from the fast-slow-fast pattern of a traditional sonata in that the first movement is itself split into three sections in the pattern fast-slow-fast. It bears the somewhat paradoxical subtitle "Allegro tristamente": accordingly, the piece is always in motion, but proceeds with a sense of grieving. After a brief fortissimo introduction consisting of angry spurts of figuration in the clarinet punctuated by piano chords, the piano quiets to a murmur. The clarinet's lines are built of a self-perpetuating series of arcs that leave a shape but not a tune in our ears. At one point the clarinet seems stuck in a motivic rut, sadly leaping up and down between octave B tones over a shifting harmonic background. As the movement ends, the lingering memory is a fuzzy one of melancholy gestures and moods.
The second movement, "Romanza," is both clearer in its melodic makeup and more cathartic, perhaps, in its emotional expression. The clarinet melody is simple and somber throughout, but is elaborately embroidered in a few places, as if losing composure. Two particularly poignant examples are the sixty-fourth note runs near the beginning, and the trembling half-step figure that appears at the beginning and end.
The third movement, "Allegro con fuoco," energetically combines various nimble, articulate, and rhapsodic themes, bookended by a delightfully clownish tune—a mixture of serious and silly that well represents Poulenc's oeuvre as a whole.
Read more about this topic: Clarinet Sonata (Poulenc)
Famous quotes containing the word structure:
“There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. There is therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.”
—Donald Davidson (b. 1917)
“A committee is organic rather than mechanical in its nature: it is not a structure but a plant. It takes root and grows, it flowers, wilts, and dies, scattering the seed from which other committees will bloom in their turn.”
—C. Northcote Parkinson (1909–1993)
“For the structure that we raise,
Time is with materials filled;
Our to-days and yesterdays
Are the blocks with which we build.”
—Henry Wadsworth Longfellow (1809–1882)