Substitution
In addition to this original repertoire, one can pick some pieces for clarinet-viola-piano trio or clarinet-violin-piano trio and replace the viola (violin) by the cello, or replace the violin by the clarinet in a classical Piano trio; cases where the composer has foreseen this possibility are listed above. Other substitutions are possible:
- Mikhail Glinka
- Trio Pathetique for clarinet, bassoon and piano (1832, reprinted by Musica Rara as well as International Ed.)
- Giovanni Bottesini
- Gran Duo Concertante (version for clarinet, string bass and Piano)
- Isang Yun
- Rencontre (1986) for clarinet-cello-harp
Read more about this topic: Clarinet-cello-piano Trio
Famous quotes containing the word substitution:
“Virtue is the adherence in action to the nature of things, and the nature of things makes it prevalent. It consists in a perpetual substitution of being for seeming, and with sublime propriety God is described as saying, I A—.”
—Ralph Waldo Emerson (1803–1882)
“To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.”
—Max J. Friedländer (1867–1958)