City comedy, also called Citizen Comedy, is a common genre of Elizabethan, Jacobean, and Caroline comedy on the London stage from the last years of the 16th century to the closing of the theaters in 1642. Some usual meanings of the term include:
- Any English comedy, typically written during the reign of James I (1603-24) set in London and depicting ordinary London life.
- London comedies that are specifically satirical in nature, depicting London as a hotbed of vice and folly; in particular, some of the comedies of Ben Jonson (Volpone, Epicoene), Thomas Middleton (A Trick to Catch the Old One, A Chaste Maid in Cheapside) and John Marston (The Dutch Courtesan').
Among the earliest City Comedies are Ben Jonson's "Every Man Out of His Humour" and Thomas Dekker's "The Shoemaker's Holiday," both dating from 1598. . The genre soon became very popular; the intricately plotted romantic comedies of Shakespeare and John Lyly that had been in vogue on the public and private stages until this point were largely superseded by plays which were set in a recognizable contemporary London, and which dealt with, in Ben Jonson's words, "deeds and language such as men do use" (Prologue to Every Man in his Humour).
Other notable examples of the genre are Chapman, Marston and Jonson's "Eastward Ho!," Dekker's "The Honest Whore, Parts 1 and 2," and Massinger's "A New Way to Pay Old Debts."
The city comedy can be considered a forerunner of the comedy of manners.
Famous quotes containing the words city and/or comedy:
“Och, Dublin City, there is no doubtin,
Bates every city upon the say;
Tis there youll see OConnell spoutin,
An Lady Morgan makin tay;
For tis the capital of the finest nation,
Wid charmin pisintry on a fruitful sod,
Fightin like divils for conciliation
An hatin each other for the love of God.”
—Charles James Lever (18091872)
“It is comedy which typifies, where it is tragedy which individualizes; where tragedy observes the nice distinctions between man and man, comedy stresses those broad resemblances which make it difficult to tell people apart.”
—Harry Levin (b. 1912)