Depictions in Popular Culture
Over the years, Adyghes have been featured in various popular books and films:
- The 1962 Academy Award winning British film Lawrence of Arabia included a scene in which the British title character (Peter O'Toole) is captured by Turkish officers at the city of Daraa. His blue eyes and fair skin are remarked, leading to the question "Are you Circassian?", to which he replies "Yes, effendi".
- In the 1840 Russian novel A Hero of Our Time the narrator tells the story of a beautiful Adyghe princess named "Bela", whom a character abducts from her family.
- In Memoirs of an Arabian Princess from Zanzibar the author — who was the Princess of Zanzibar and was half Circassian and half Arab — narrates about the many Circassian Secondary Wives of the Sultan of Zanzibar.
- In a 2005 episode of the BBC drama Spooks lead character Adam Carter pretends to be a Circassian from Aleppo in order to infiltrate a people-smuggling route.
- The 2010 Jordanian film Cherkess, which takes place in 1900, depicts a unique encounter between the local Bedouin tribes and the Adyghe immigrants, in the region known today as Jordan, during the period in which this region was under Ottoman rule.
- Sarema is the Circassian heroine and title character in the 1897 opera of that name by the Austrian composer Alexander Zemlinsky (1871–1942).
Read more about this topic: Circassians
Famous quotes containing the words popular culture, depictions, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)
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—Sir William Schwenck Gilbert (1836–1911)