Cinema of The United Kingdom

Cinema Of The United Kingdom

The United Kingdom has had a significant film industry for over a century. While film productiion reached an all-time high in 1936, the 'golden age' of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most highly acclaimed work. Many British actors have achieved international fame and critical success, including Michael Caine, Sean Connery and Kate Winslet. Some of the most commercially successful films of all films have been produced in the United Kingdom, including the two highest-grossing film series (Harry Potter and James Bond).

The identity of the British industry, and its relationship with Hollywood, has been the subject of debate. The history of film production in Britain has often been affected by attempts to compete with the American industry. The career of the producer Alexander Korda was marked by this objective, the Rank Organisation attempted to do so in the 1940s, and Goldcrest in the 1980s. Numerous British-born directors, including Alfred Hitchcock and Ridley Scott, and performers, such as Charlie Chaplin and Cary Grant, have achieved success primarily through their work in the United States. Many British films are co-productions with American producers, often using mixed British and American crews and casts.

In 2009 British films grossed around $2 billion worldwide and achieved a market share of around 7% globally and 17% in the United Kingdom. UK box-office takings totalled £944 million in 2009, with around 173 million admissions. The British Film Institute has produced a poll ranking what they consider to be the 100 greatest British films of all time, the BFI Top 100 British films. The annual British Academy Film Awards hosted by the British Academy of Film and Television Arts are the British equivalent of the Oscars.

Read more about Cinema Of The United Kingdom:  Art Cinema, Film Technology

Famous quotes containing the words cinema, united and/or kingdom:

    The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.
    George Bernard Shaw (1856–1950)

    When Mr. Apollinax visited the United States
    His laughter tinkled among the teacups.
    I thought of Fragilion, that shy figure among the birch-trees,
    And of Priapus in the shrubbery
    Gaping at the lady in the swing.
    —T.S. (Thomas Stearns)

    There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, which he imagines he can dispense with in describing the light, is error with its unknown characteristics.... Error is certainty’s constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.
    Louis Aragon (1897–1982)