Cinema of Slovakia - Notable Films

Notable Films

  • Soul at Peace (Pokoj v duši, 2009, Vladimír Balko)
  • Blind Loves (Slepé lásky, 2008, Juraj Lehotský)
  • Bathory (Bátorička, 2008, Juraj Jakubisko)
  • The Garden (Záhrada, 1995, Martin Šulík)
  • Paper Heads (Papierové hlavy, 1995, Dušan Hanák)
  • I'm Sitting on a Branch and I'm Fine (Sedím na konári a je mi dobre, 1989, Juraj Jakubisko)
  • A Thousand-Year-Old Bee (Tisícročná včela, 1983, Juraj Jakubisko)
  • She Grazed Horses on Concrete (Pásla kone na betóne, 1982, Štefan Uher)
  • Night Riders (Noční jazdci, 1981, Martin Hollý)
  • I Love, You Love (Ja milujem, ty miluješ, 1980/1988, Dušan Hanák)
  • Rosy Dreams (Ružové sny, 1977, Dušan Hanák)
  • Pictures of the Old World (Obrazy starého sveta, 1972, Dušan Hanák)
  • Eden and After (Eden a potom, L'Eden et après, 1970, Alain Robbe-Grillet)
  • Birds, Orphans and Fools (Vtáčkovia, siroty a blázni, 1969, Juraj Jakubisko)
  • 322 (322, 1969, Dušan Hanák)
  • Deserters and Pilgrims (AKA The Deserters and the Nomads; Zbehovia a pútnici, 1968, Juraj Jakubisko)
  • The Shop on Main Street (Obchod na korze, 1965, Ján Kadár, Elmar Klos)
  • The Sun in a Net (Slnko v sieti, 1963, Štefan Uher)
  • Wolves' Lairs (Vlčie diery, 1948, Paľo Bielik)
  • The Earth Sings (Zem spieva, 1933, Karol Plicka)
  • Jánošík (1921, Jaroslav Jerry Siakeľ)

Read more about this topic:  Cinema Of Slovakia

Famous quotes containing the words notable and/or films:

    Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.
    Aldous Huxley (1894–1963)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)