Political and Propaganda Stamps
While it is common to find patriotic sentiments on official stamps, the term propaganda stamp is usually used to mean unofficial stamps produced to promote a particular ideology, or to create confusion within an enemy state. Stamps with encouraging slogans have been attached to letters for prisoners of war, or troops serving aboad.
Sometimes stamps are issued by breakaway governments, governments in exile or micronations in order to give themselves greater legitimacy; however, these stamps usually have no postal validity and are therefore cinderella items. The Indian National Army (Azad Hind) produced ten stamps as part of their campaign.
From 1951 to 1966, UNESCO issued a series of 41 "gift stamps." Considered to be cinderellas, they were produced to raise money for the organization. The series is unusual in being an international cooperative effort. Most are readily available from specialized dealers.
Illustrator and anarchist Clifford Harper, whose family had an occupational history in the postal service, designed stamps "for post-revolutionary post" bearing the image of anarchist figures such as Pierre-Joseph Proudhon ("property is theft"), Oscar Wilde, Emma Goldman and Emiliano Zapata. Colin Ward, along with Harper, published a book in 1997 called Stamps: Designs For Anarchist Postage Stamps, containing an essay by Ward on the subject of anarchists and postage stamps. Fund-raising stamps with anti-state messages have appeared within labor unions such as the ones printed by the Confederación Nacional del Trabajo, and the Industrial Workers of the World.
Read more about this topic: Cinderella Stamp
Famous quotes containing the words political, propaganda and/or stamps:
“My objection to Liberalism is this—that it is the introduction into the practical business of life of the highest kind—namely, politics—of philosophical ideas instead of political principles.”
—Benjamin Disraeli (1804–1881)
“All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.”
—Terry Eagleton (b. 1943)
“Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.”
—Willa Cather (1873–1947)