References To Popular Culture
- The dance the Russian arms dealers are performing at the hotel is called Kalinka and is a national Russian dance.
- This episode includes many references to the 1942 movie Casablanca including:
- The name of Casey's ex-girlfriend is Ilsa, the same name as Rick's ex-girlfriend in Casablanca; and her future husband's name is Victor, the same as Ilsa's husband in Casablanca.
- Casey's ex-girlfriend gets on a plane seemingly never to see him again, the same as in Casablanca with Rick and Ilsa.
- Chuck says "Don't worry buddy, you'll always have me". In Casablanca the line was "We'll always have Paris".
- Chuck says to Casey: "I think this is the beginning of a beautiful friendship". The same famous line used in Casablanca by Rick to Captain "Louie" Renault.
- When Ilsa meets Casey in the Buy More, the movie playing on the TV is Casablanca.
- One of the Russian mobsters identified by Chuck has the nickname "Noodles" Romanov in reference to gangster Noodles Romanoff from the children's cartoon Roger Ramjet.
- Chuck calls Casey "Kemosabe," in reference to The Lone Ranger.
- The scene where Chuck and Casey fall out of the hotel window into the pool is a nod to a similar scene from the movie Lethal Weapon 2.
- The morning after scene for Ellie and Morgan contains Morgan sleepily uttering the line "Damn momma, I've got my headgear on." Anthony Michael Hall's Farmer Ted (The Geek) character uttered the same line towards the end of Sixteen Candles.
- The final shot in the episode parallels the final shot of John Wayne in The Searchers, with Casey pushing Chuck out of the frame to occupy the John Wayne role.
Read more about this topic: Chuck Versus The Undercover Lover
Famous quotes containing the words popular and/or culture:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern lifeits material plenitude, its sheer crowdednessconjoin to dull our sensory faculties.”
—Susan Sontag (b. 1933)