Reception
I.R.S. released Chronic Town in August 1982 as its first American release. Reaction to the EP varied; one I.R.S. radio promoter said that many of his contacts at campus radio didn't know what to make of the record, but added, "The Georgia stations and some of the more together college stations across the country jumped on it." The band filmed its first music video for "Wolves, Lower" to promote the record. The EP sold 20,000 copies in its first year.
NME reviewer Richard Grabel wrote, "Chronic Town is five songs that spring to life full of immediacy and action and healthy impatience. Songs that won't be denied." Grabel praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." Creem writer Robot A. Hull began his review saying, "This EP is so arcane that I had to play it six times in a row to get a handle on it – and even now, I'm still not sure." Hull praised the EP for " the music of the late-'60s without any pretensions, mingling past and present to shape both into concurrent moments." Hull concluded, "Despite its eccentricity, R.E.M.'s record is undoubtedly the sleeper EP of the year."
Chronic Town ranked second in the EP category of the Village Voice Pazz & Jop critics' poll in 1982.
For Record Store Day 2010, held on April 17 of that year, participating independent record stores sold a limited edition and individually numbered blue vinyl 12" reissue of the long out of print EP.
Read more about this topic: Chronic Town
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)