Christopher Pearse Cranch - Biography

Biography

Cranch was born in the District of Columbia. He attended Columbian College and Harvard Divinity School. He briefly held a position as a Unitarian minister. Later, he pursued various occupations: a magazine editor, caricaturist, children's fantasy writer (the Huggermugger books), poet (The Bird and the Bell with Other Poems in 1875), translator, and landscape painter. He lived most of his life in Cambridge, Massachusetts.

Though not one of its founding members, Cranch became associated with the Transcendental Club; his connection with the Transcendentalists ultimately diminished his demand as a minister. Cranch's caricatures of Ralph Waldo Emerson were later collected as Illustrations of the New Philosophy: Guide. His poetry was published in The Harbinger and The Dial among other publications.

As a painter, Cranch painted landscapes along the lines of Thomas Cole, the Hudson River school, and the Barbizon school in France. In one foray into historical painting, Cranch depicted the burning of P. T. Barnum's American Museum in New York City. Later in life, Cranch painted scenes from Venice and Italy.

Read more about this topic:  Christopher Pearse Cranch

Famous quotes containing the word biography:

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)

    The best part of a writer’s biography is not the record of his adventures but the story of his style.
    Vladimir Nabokov (1899–1977)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)