Christina Hendricks - Career

Career

Hendricks began acting in children's musical theater productions in Twin Falls. She was a model from the ages of 18 to 27. She made a number of guest television appearances, starting as a regular in the series Beggars and Choosers. Since then, she has starred in the series The Big Time and The Court, opposite Sally Field and Craig Bierko, as well as the legal drama Kevin Hill. She has also had recurring roles in ER and Firefly and guest-starred in episodes of Angel, Miss Match, Tru Calling, Presidio Med, Without a Trace, and Las Vegas. Hendricks starred opposite Kip Pardue in South of Pico. La Cucina, an award-winning indie film, premiered on Showtime in December 2009 and stars Hendricks as a writer opposite Joaquim de Almeida. She has appeared in four episodes of the NBC TV show Life in the recurring role of Olivia, detective Charlie Crews' soon-to-be stepmother and Ted Earley's love interest. She also starred in music videos for "The Ghost Inside" by Broken Bells, and Everclear's "One Hit Wonder".

She plays Joan Harris on the AMC series Mad Men where Hendricks' character is the office manager of advertising agency Sterling Cooper Draper Pryce (SCDP), providing mentoring to a group of women who must deal with the come-ons and callousness of professional advertising executives.

She appeared in the action-thriller Drive, directed by Nicolas Winding Refn, alongside Carey Mulligan and Ryan Gosling.

Read more about this topic:  Christina Hendricks

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)