Music
Wolff's early compositional work included a lot of silence and was based initially on complicated rhythmic schema, and later on a system of aural cues. He innovated unique notational methods in his early scores and found creative ways of dealing with improvisation within his written music. During the 1960s he developed associations with the composers Frederic Rzewski and Cornelius Cardew who spurred each other on in their respective explorations of experimental composition techniques and musical improvisation, and then from the early 1970s in their respective attempts to engage with political matters in their music. For Wolff this often involved the use of music and texts associated with protest and political movements such as the Wobblies. His later pieces often give a degree of freedom to the performers such as the sequence of pieces entitled Exercises (1973-). Some works, such as Changing the System (1973), Braverman Music (1978, after Harry Braverman), and the series of pieces entitled Peace March (1983–2005) have an explicit political dimension responding to contemporary world events and broader political ideals.
Wolff collaborated with Merce Cunningham for many years and developed a style which is more common now, but was revolutionary when they began working together in the 1950s - a style where music and dance occur simultaneously, yet somewhat independently of one another. Wolff stated, of any influence or affect, the greatest influence on his music over the years was the choreography of Cunningham. Wolff recently said of his work that it is motivated by his desire "to turn the making of music into a collaborative and transforming activity (performer into composer into listener into composer into performer, etc.), the cooperative character of the activity to the exact source of the music. To stir up, through the production of the music, a sense of social conditions in which we live and of how these might be changed."
Wolff's music reached a new audience when Sonic Youth's "Goodbye, 20th Century" featured works by avant-garde classical composers such as John Cage, Yoko Ono, Steve Reich, and Christian Wolff played by Sonic Youth along with several collaborators from the modern avant-garde music scene, such as Christian Marclay, William Winant, Wharton Tiers, Takehisa Kosugi and others.
Read more about this topic: Christian Wolff (composer)
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“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
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—Plato (c. 427–347 B.C.)
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—William Shakespeare (1564–1616)