Criticism
Mort argues that one of the difficulties facing Christian science fiction authors who endorse Creationism—especially those writing "hard" science fiction—is reconciling the limits placed on the author in exploring science within a Creationist framework. This is made even more problematic when one considers that the notion of "the future as divinely ordered" limits the author's ability to speculate on what that future may be. For example, the first of these difficulties has been identified by Pierce as a problem with some of R. A. Lafferty's work, who "is uncomfortable with the idea of even biological evolution"; while Tom Doyle notes the predictability of the Christian apocalyptic novel, due, he argues, to the genre following "a particular interpretation of biblical prophecy".
These difficulties raise concerns regarding genre boundaries: while Christian science fiction has been identified as a specific market into which stories can be sold, Doyle has questioned whether or not books that are, at times, classified in this subgrenre truly fit. In examining Christian apocalyptic fiction, Doyle notes that it is often classified as Christian science fiction, but argues that this classification is inappropriate. While both may employ scientific themes, Christian apocalyptic fiction is not, as he describes it, "scientifically minded", arguing that the authors tend to respond to scientific problems "with biblical authority, prophetic interpretation, and fundamentalist ideas of human identity instead of rational argument, scientific method, and humanistic thought". It should be noted, however, that Doyle sees Brian Caldwell's We All Fall Down as an exception to his argument, suggesting that (despite being a work of Christian apocalyptic fiction) it is the sort of work that he would like to see classified as science fiction.
Read more about this topic: Christian Science Fiction
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“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
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“In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.”
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“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
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