Chris Carter (screenwriter) - The X-Files and Success

The X-Files and Success

Carter's new series would take its stylistic inspiration from Kolchak, while thematically reflecting his experiences growing up during the Watergate scandal. Carter also drew inspiration from his friend John Edward Mack's survey of American beliefs in ufology, which indicated that three percent of the population believed they had been abducted by aliens. Roth warmed to the idea upon hearing of the influence of Kolchak, believing that vampires—one of the central antagonists of the original series—would be popular with audiences given the interest being shown in the upcoming film Interview with the Vampire: The Vampire Chronicles, although Carter insisted on an extraterrestrial-focused series. However, Carter had never been interested in science fiction before this point, professing to have briefly read one novel each by Ursula K. Le Guin and Robert A. Heinlein. Basing his characters instead on those found in the English television series The Avengers, Carter took an eighteen-page treatment for his new project—by now titled The X-Files—to a pitch meeting at Fox, where it was soon rejected. With the help of Roth, Carter was able to arrange a second pitch meeting, at which the network reluctantly agreed to greenlight a pilot for the series.

After finding the series' two starring leads in Gillian Anderson and David Duchovny, Carter was given a budget of $2 million to produce a pilot episode. The series aired on Friday nights on the Fox network, being broadcast in tandem with The Adventures of Brisco County, Jr. in what was perceived to be an unpopular timeslot. The series earned relatively impressive Nielsen ratings for its Friday timeslot, and was given a full twenty-four episode order. The series' popularity and critical acclaim built over the course of its second and third seasons, and saw it earning its first Golden Globe Award for Best Television Series – Drama and breaking the record for highest price paid by a network for rights to air re-runs, fetching $600,000 per episode from Fox's sister network FX. After Carter's initial three-year signing for Fox had ended, the success of the series allowed him to negotiate a five-year contract with several additional perks, including the guarantee of a feature film adaptation to be produced by the parent company's film studio, and the greenlighting of Carter's next television project.