Production
The biggest production difficulty was being allowed to use the Pentridge Prison in Coburg, Victoria for the shooting. The prison was being closed down and while the negotiations were underway, the funding for production was delayed. This put off the starting of the shoot.
To show the sterility of the prison and to contrast it with the world that Chopper encounters after leaving prison 16 years later, the production was split into two. The first part, filmed at the H Division of Pentridge Prison, one of the actual prisons that Chopper frequented, was as plain and sterile as could be and all the scenes in the second part, taking place in 1986 were overly coloured, to achieve a paranoid and agoraphobic atmosphere, called "visual overload" by the director Andrew Dominik. This was attained by lighting, choice of film stock used and colours chosen for set decoration. Part one of the production ran from 3 May until 26 May with part two continuing from 28 June until 21 July 2000.
Some extras were hired from former inmates and tattoo parlors. Bana spent two days with Chopper to gain an insight into the role he was to play and many of Chopper's friends, enemies and old associates were interviewed.
Read more about this topic: Chopper (film)
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)