Early Career
In 1903, Obata went to the United States. He arrived in Seattle, where he planned to study American art before continuing to Paris to study European art. When he got to San Francisco, he found work as a domestic servant in a household, with the pay of $1.50 per week plus room and board. He was one of the founders of the Fuji Club, the first Japanese-American baseball team on the American mainland. In 1906, Obata made on-site sketches of the aftermath of the San Francisco earthquake. In 1909 he worked in the hops fields in the Sacramento Valley.
Eventually, Obata was able to earn his living in California as an illustrator for different newspapers, including San Francisco's two Japanese newspapers, The New World and the Japanese American, and as a commercial designer. As a designer he decorated the famous Oriental rooms for Gump's department store and did similar work for the Emporium and City of Paris department stores. He designed "Jewel Rooms" for the G. T. Mars Co. and one in the Hotel Ambassador. He made five large murals for the Toyo Kisen Kaisha Steamship Co. and for the Iwata Dry Goods Co.
From 1915-1917 Obata was an illustrator and cover page designer for the magazine Japan, published for the Toyo Kisen Kaisha Steamship Co., during which time he turned out about 3000 illustrations and numerous cover designs.
During the 1920s, Obata spent much time painting landscapes throughout California. In 1921, he co-founded the East West Art Society in San Francisco. He spent the summer of 1927 on a sketching tour of Yosemite and the Sierra high country, producing over 100 new paintings. He had been invited on the trip by Worth Ryder, a professor of art at UC Berkeley, who had become a friend. The first exhibition Obata had for American audiences was in the following year, 1928.
Read more about this topic: Chiura Obata
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