History
The history of the Chinese in the Philippines is typically classified by Chinese Filipino experts into three waves of migration, based on when their ancestors first arrived.
Most of the Chinese mestizos, especially the landed gentry trace their ancestry to the Spanish era. They are the "First Chinese" or Sangley whose descendants nowadays are mostly integrated into Philippine society. Most are from Guangdong province in China, with a minority coming from Fujian. They have embraced a Hispanized Catholic culture since the 17th century. After the end of Spanish rule, their descendants, the Chinese mestizos, managed to invent a cosmopolitan mestizo culture coupled with an extravagant Mestizo de Sangley lifestyle, intermarrying either with ethnic Filipinos or with Spanish Mestizos.
The largest group of Chinese Filipinos in the Philippines are the "Second Chinese," who are descendants of migrants in the first half of the 20th century, between the anti-Manchu 1911 Revolution in China and the Chinese Civil War. This group accounts for most of the "full-blooded" Chinese. They are almost entirely from Fujian province.
The "Third Chinese" are the recent immigrants from Mainland China, after the Chinese economic reform of the 1980s. Generally, the "Third Chinese" are the most entrepreneurial and have not totally lost their Chinese identity in its purest form and seen by some "Second Chinese" as a business threat. Meanwhile, continuing immigration from Mainland China further enlarge this group
Read more about this topic: Chinese Filipino
Famous quotes containing the word history:
“I feel as tall as you.”
—Ellis Meredith, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 14, by Susan B. Anthony and Ida Husted Harper (1902)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)