Chicago Film Critics Association Award For Best Actor

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—David Mamet, U.S. screenwriter, and Brian DePalma. Jimmy Malone (Sean Connery)

“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)

“Nature, when she invented, manufactured, and patented her authors, contrived to make critics out of the chips that were left.”
—Oliver Wendell Holmes, Sr. (1809–1894)

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—Thomas Jefferson (1743–1826)

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—Robert Graves (1895–1985)

“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)