Ganz Hall
Ganz Hall was originally conceived as a banquet hall for the Auditorium Hotel after the building had already been constructed in 1890. Louis Sullivan, the architect of the building, was faced with trying to build a new large space within the world's largest mixed-use high-rise building. The only area available for constructing a room for banqueting was above the Auditorium Theatre.
The two primary innovations of the project were to design a special support system for a two-story structure and bring about a refined space capable of formal dining. First, Sullivan worked closely with his partner and structural engineer, Dankmar Adler, to develop a system of iron trusses. The entire frame of the building was constructed to span across the top of the Theatre similar to the long spans of bridge design. This was the first innovation of the project.
The Banquet Hall, entered from the seventh floor of the hotel, is a fine example of the refinement of the ornamentation, the second innovation. Sullivan used a unique and distinctive system of ornamentation such as carved wood panels and capitals, stenciled wall patterns, elaborate plaster work, gilded lighting fixtures, and the use of Michigan birch and gold leaf - all of which made the interior striking. A young apprentice working for Sullivan, Frank Lloyd Wright, had obtained much responsibility at the time and designed some of the ornament.
The ornament is quite intricate and well-developed. The columns are large tapered-over scaled piers with rounded corners from which the ornament "appears" from the grain of the wood. The piers were a modern expression of the time because Sullivan stripped away all the traditional Victorian details in lieu of a simple oversized design.
Read more about this topic: Chicago College Of Performing Arts
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