Chely Wright - Early Years

Early Years

Born in Kansas City, Missouri, Wright grew up in a musical family in Wellsville, Kansas, a very small town with a population under 2,000. As presented in her autobiography, Like Me, two major factors driving her approach to life were her calling to be a country music performer, which she resolved upon as early as age four, and her realization, as early as age eight, that she was gay. (In Like Me, Wright variously terms herself a "homosexual", a "lesbian", and a "gay woman".)

As a toddler, Wright would sit in a great-grandmother's lap and rest her own hands on the great-grandmother's hands as the woman played piano. Also in these years, she began to seek out adult audiences to sing for. Piano lessons followed. Starting at age 11, she was a professional pianist and singer, and from seventh to twelfth grades, the local branch of the American Legion appointed her the bugler to play taps at the funerals of veterans.

At the beginning of third grade, Wright realized she was in love with her schoolteacher. Although at that young age she lacked sexual awareness, this crush made her realize that she had an attraction to women that she knew to be culturally taboo. Not only did she share the belief that her sexual orientation was immoral, she also believed that it would kill her career hopes for her audiences to know about it. From early childhood, she therefore built up resolve to never confide the secret of her nature to anyone, let alone pursue romantic love with women.

The summer before her senior year of high school, she worked as a performing musician at the Ozark Jubilee, a long running country music show in Branson, Missouri. In 1989, taking the advice of her grandfather, she auditioned and landed a position in a musical production at Opryland USA, a now defunct theme park in Nashville, Tennessee, starting the job straight out of high school. She would call Nashville home until 2008. For the next several years, she interned and attended writers' nights, while honing her singing and songwriting. She attained her first recording contract in 1993, when Harold Shedd signed her to Mercury/Polygram, and her first album was released in 1994 on the corporation's Polydor label.

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