Checker Records - History

History

Due to the recent expansion of Chess Records, as well as to achieve greater airplay for singles, the Chess brothers opened up a subsidiary label named Checker. The first 45/78 rpm single released by the label was "Slow Caboose" b/w "Darling, Let's Give Love a Chance" by Sax Mallard and his Orchestra, which was released as Checker 750 in April 1952.

The label's most popular artist, in the label's early years, was Little Walter, who had ten songs released by Checker that made the Top Ten of Billboard magazine's Top Rhythm & Blues Records charts. Among those ten was "Juke" which topped the charts and was inducted into the Grammy Hall of Fame in 2008.

Checker released several singles by well-established blues artists such as Elmore James, Arthur "Big Boy" Crudup (credited as Perry Lee Crudup), and Memphis Minnie, none of which sold well. One well-established blues artist that did manage to make a hit on Checker was Sonny Boy Williamson II, who charted with "Don't Start Me Talkin'" (#3) in 1955, "Keep It to Yourself" (#14) in 1956, and "Help Me" (#24) in 1963.

On March 2, 1955, the Chess brothers recorded their first rock and roll artist, Bo Diddley. From this session came Bo's self-titled debut single on Checker, which topped the R&B charts and was inducted into the Grammy Hall of Fame in 1998. Another one of Bo Diddley's Checker singles, "Who Do You Love?", was inducted in 2010. In 1957, Checker cracked into the rockabilly market with Dale Hawkins, who had a crossover hit with "Susie Q", although he could not repeat the single's success.

In 1958, Checker released its first 12" 33⅓ rpm LP record, the Best of Little Walter, which was released as Checker LP-1428.

Read more about this topic:  Checker Records

Famous quotes containing the word history:

    Whenever we read the obscene stories, the voluptuous debaucheries, the cruel and torturous executions, the unrelenting vindictiveness, with which more than half the Bible is filled, it would be more consistent that we called it the word of a demon than the Word of God. It is a history of wickedness that has served to corrupt and brutalize mankind.
    Thomas Paine (1737–1809)

    A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
    Aristotle (384–323 B.C.)

    This above all makes history useful and desirable: it unfolds before our eyes a glorious record of exemplary actions.
    Titus Livius (Livy)