Charlotte Salomon - Life? or Theater? (Leben? Oder Theater?)

Life? or Theater? (Leben? Oder Theater?)

This series of gouaches is an extraordinary and unique document. In great detail it tells the story of Salomon's family and friends, her own internal life, the political background, and her obsessive love affair. Salomon had artistic training and her household was highly cultured. The way she tells her story is full of tragedy, but the telling also reveals Salomon's sly humour and wit. The series starts out with highly detailed and multi-layered images of the life and relationship between her mother and father. As the story unfolds the style gets broader and more expressionistic. The last 'chapters' are almost violent in their expression, as if Salomon is aware of her impending fate and can hardly wait to write and paint the details of her story as the Gestapo close in on her life.

A large part of Life? or Theater? is about her obsession with 'Amadeus Daberlohn', a voice teacher she met through her stepmother 'Paulinka Bimbam' (Salomon gives all her characters humorous, often punning, pseudonyms). These sections are honest and compelling accounts of her passionate relationship with Alfred Wolfsohn - the one person who took her artistic work seriously. It is not possible to know if Salomon's version of her relationship with Wolfsohn corresponds with reality, but he was undoubtedly her first love.

In 1943, when she was 26, Charlotte Salomon gave her collection of paintings to Dr. Moridis, a trusted friend who had treated her grandmother's depression.

Life? or Theater? is intended as a Gesamtkunstwerk, a Wagnerian 'total work of art' within the tradition of the ambitious nineteenth century German idea to fuse poetry, music and the visual arts. Yet Salomon's work is a reversal of that tradition which was intended to be the ultimate manifestation of Germanic culture - instead it is a deeply moving and personal masterpiece, created by a 'young woman who belonged to a supposedly alien race and who was therefore held not to even have a right to exist, let alone a place in society.'

Read more about this topic:  Charlotte Salomon